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The Carbon Of Your Delight

by Tsinder Ash

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R. His vibrato fits so well to the songs. The songwriting is sharp and Clara Engel sings on it! One of my big favorites of 2015. Favorite track: Antipode.
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1.
I would collapse into you like a dying star become nameless, genderless mold on which touch can leave marks fill my body up with resin let me inside be cast break open that shell, i have no need for skin just the throb of your proximity will keep the organs in. I would puncture new holes to fit more of you in i would follow your shadows to keep time with your limbs let words slip out of meaning to replace them with sighs that i try to breathe in when your ecstasy arrives i will live off the carbon of your delight i will live off the carbon of your delight. I would cinder to charcoal i would crumble to chalk become the tool that transforms your face from boy, into skin without essence a nameless, genderless mold on which fractal meanings dance and only beauty takes hold. I would puncture new holes to fit more of you in i would follow your shadows to keep time with your limbs let words slip out of meaning to replace them with sighs that i try to breathe in when your ecstasy arrives i will live off the carbon of your delight i will live off the carbon of your delight.
2.
Weapons 05:24
Grief is coming for me in a clatter of iron wings a chorus forged in the fires of a bloody dawn. Rivers of stone made my skeleton erode and you may tear me limb from limb but i would take your teeth if i had too You may strip my flesh of all defense you may leave my hope embalmed but my weapons are concealed in bone i will not leave this world unarmed There is power at the bottom there are demons in the words behind there is power in the bottom penetrate us and we'll rise give me ivory knives give me a bone stealers eyes and you may tear me limb from limb but i would take your teeth if i had too You may strip my flesh of all defense you may leave my hope embalmed but my weapons are concealed in bone i will not leave this world unarmed
3.
The Sparking 06:06
I would carry your bones across darkening plains to bring pieces of you back home again under that mother-of-pearl moon under that desert sun i would never wane i would never run. To be with you at the sparking where horizons meet the sea i would never beg your pardon i would only beg belief to be with you at the sparking where horizons meet the sea your gasps pass like luminous ships across desires beach and i will go... And there are silkworms hanging by the thousand by the bough and they are weaving me into shapes i do not recognize now (maybe i did once but maybe not now) I would carry your bones across darkening plains to bring pieces of you back home again under that mother-of-pearl moon under that desert sun i would never wane i would never run.
4.
Antipode 04:20
You are the waters edge i crawl around i look for you there only my face resounds oh to calcify with the years you let your raw hide turn solid dear Oh Antipode, what earth has grown between us? that soil that tried to leave us did go Oh Antipode, for all the rocks beneath us that joy that tried to leave us did go, you did go. So take me back to shaded trees where your leaking eyes formed the blackened years oh to calcify with those years you let your raw hide turn solid dear Oh Antipode, what earth has grown between us? that soil that tried to leave us did go Oh Antipode, for all the rocks beneath us that joy that tried to leave us did go, you did go you did go.

credits

released March 5, 2015

All tracks written, performed and recorded by Tsinder Ash
Mixed and Mastered by Mitch Girio at Slaughterhouse 754
Additional Vocals by Clara Engel on 'The Sparking'
Cover Photograph taken by Ajamu X
Cover model, design and cyanotypes by Tsinder Ash

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Tsinder Ash London, UK

Tsinder Ash is a London-based multi-instrumentalist and vocalist. Tsinder's work has been featured on NTS and Resonance FM and BBC 6 Music.

‘Drawing comparisons to Coil, Anhoni and Björk...The music is experimental and seemingly teetering on the edge of collapse. A satisfyingly unpredictable and fresh sound’ (Louder Than War - 2020).
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